Acting and doing the stunts on the same shoot
Two lines on a call sheet, two contracts. What the double role buys in the edit and the schedule, and the three good reasons productions still split it.
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Two lines on a call sheet, two contracts. What the double role buys in the edit and the schedule, and the three good reasons productions still split it.
About ten a decade ago, about fifty today. The only attributed figure the profession has, what it hides, and two stunt-award errors worth correcting.
Three lines that look alike on a stunt profile, and three different jobs. Why the least spectacular of the falls is the one that injures the most people.
Stunt classes in Brussels, a stunt company in Aalst, and no way to train for the trade. The route Belgian stunt performers actually take, with dates.
The twelve-day course is the real unit of stunt training in France, and barely described in English. What it does to a body, and what it does not give you.
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